About Us
Geib Musik sums up its purpose with a simple statement,
"Make Music! Enjoy Life!"
The studio is co-owned by husband and wife, Dr. and Mrs. Geib, who focus on the pursuit of excellence for the joy of music. Their philosophy for learning is a dynamic one, changing for each individual and evolving as the world of music expands. Geib Musik promotes the belief that everyone can achieve their goals with deliberate actions focused on incremental improvement.
Lucy Geib
Before you read about our teachers, we wanted to introduce our "teaching assistant," Lucy the therapy dog. She has been a part of Geib Musik since 2015 when she was adopted from the OK Humane Society. Lucy is a mini-poodle/dachshund mix, so she is hypoallergenic, smart, and very sweet. Since joining a musical family she has become a mascot for our studio and is always happy meeting new friends!
Dr. Michael Geib
Dr. Michael Geib, double bassist, composer, and pedagogue, joined the faculty at the University of Central Oklahoma School of Music in 2010. He has also taught at Florida State University, Oklahoma Christian University, Edmond North High School, and the Quartz Mountain Music Festival. He is committed to teaching bassists to be versed in all types of music, with his doctoral treatise focusing on teaching improvisation to orchestral double bass players. His principal teachers have included Melanie Punter, Rodney Jordan, Ian Bracchitta, and Delbert Felix.
As a symphonic musician, Dr. Geib has performed in professional orchestras in Arkansas, Colorado, Florida, Georgia, Kansas, Oklahoma, North Carolina, and South Carolina. Currently he is the principal bassist of the Enid Symphony Orchestra and Edmond Chamber Orchestra, as well as a member of the Norman Philharmonic, the Painted Sky Opera Orchestra, and the Colorado Mahlerfest Orchestra. He has performed on multiple recordings for the Naxos Label, including Ellen Taafe Zwilich: Millennium Fantasy, Images, Peanuts Gallery in 2009, where he was principal bassist and a featured soloist. He has performed in festivals internationally, including the Ringling International Arts Festival in Sarasota, Florida and the Fringe Festival in Edinburgh, Scotland. He has also been featured on a number of radio broadcasts, including Performance Today on American Public Media and Michael Feldman’s Whad’Ya Know? on National Public Radio.
As a jazz musician, Dr. Geib has performed with Benny Golson, Dave Douglas, Kenny Garrett, Jerry Tachoir, John Fedchock, Marcus Roberts, Jason Marsalis, Marcus Printup, Walt Weiskopf, Martin Bejerano, and Paul McKee, among others. He has frequently performed at The Jazz Corner on Hilton Head Island, recognized by Downbeat Magazine as one of the “150 Great Jazz Venues of the World.” He has performed at several national festivals including Jazz in June Inc., Chamber Music Amarillo, and the Jazz Education Network Conference.
Internationally, he has performed in such clubs as The Music Village in Brussels, Belgium. Currently he performs with the 5th Street Jazz Collective, the Claire Piersol Band, the Edmond Jazz Orchestra, and various other groups in the Oklahoma City metropolitan area. He is also an active jazz composer, having written original music for productions and festivals in Florida, Illinois, Oklahoma, and South Carolina.
An active theatre orchestra musician, Dr. Geib has performed in the musicals Assassins, Kiss Me Kate, Anything Goes, Spring Awakening, Beauty and the Beast, South Pacific, The Last Five Years, Little Shop of Horrors, and Big River, among others. He has performed in multiple premieres, including Mann... and Wife in 2016, Bernice Bobs Her Hair in 2015, and Broadway Tonight’s Flipside: The Patti Page Story in 2011. He also performs regularly for the Lyric Theater of Oklahoma.
To learn more, visit michaeltgeib.com.
Mrs. Meryl Geib
Meryl Geib, cellist and pedagogue, has maintained an active and varied career as a musician in central Oklahoma since 2009. She earned her Bachelors of Music degree with distinction from the School of Music at the University of Nebraska-Lincoln, with previous studies at the University of Texas-Arlington and the University of Central Oklahoma. Her primary teachers include Dr. Tess Remy-Schumacher, Dr. Karen Becker, and Dr. Elizabeth Morrow.
As a performer, Mrs. Geib has played in orchestras and chamber groups in Arkansas, California, Missouri, Nebraska, New York, Oklahoma, South Dakota, and Texas. She is a former member of the Garland Symphony, Las Colinas Symphony, ION Trio, Red Rock Chamber Orchestra, and Symphony Arlington. Currently, she is principal of the Covenant Chamber Orchestra, a founding member the Edmond Chamber Orchestra, and also performs with the Enid Symphony Orchestra. She has performed at venues nationally and abroad, including the prestigious Carnegie Hall in New York City. During her career, music tour opportunities have taken her to Australia with a cello ensemble and to Nuremberg, Germany for the premiere of “Concerto for Guitar and Orchestra, op. 170” with guitarist Stefan Grasse. To further expand her understanding of music throughout time, Mrs. Geib has begun the study and performance of baroque cello. She regularly performs with Trio Antiqua and at various events held in conjunction with the Brisch Center for Historical Performance.
As an educator, Mrs. Geib is committed to expanding cello and chamber music education in the Oklahoma City metropolitan area. She is an active member of the American String Teachers Association, and currently maintains a large private studio. Her students have participated in various Oklahoma ensembles, including the North Central Honors Orchestra, All-OMEA, Oklahoma Youth Orchestras and the Oklahoma City Philharmonic's Society of Strings. She also co-founded the student-musician scholarship program at Covenant Presbyterian in The Village, Oklahoma in order to help young musicians learn how they can benefit the community. To further improve the education of young cellists Mrs. Geib has teamed with other local teachers to form the OKC Cello Project, a group dedicated to creating unique educational experiences for young cellists in central Oklahoma.
With an eye toward the future, Mrs. Geib hopes to inspire entrepreneurship in the field of music. She is available to mentor young musicians in how to start and manage new businesses. She has been a guest speaker for UCO music business courses and the UCO cello studio. Ultimately, Mrs. Geib hopes to help young musicians redefine the role of music in the twenty-first century and have fun doing so.
In 2019 Meryl Geib was honored by her fellow string teachers and received the American String Teachers Association-Oklahoma Chapter 2019 Teacher of the Year Award.
Introducing:
Yasaman Seif
Yasaman Seif
Yasaman Seif is a cellist, educator, and musician's health researcher. She earned her master's degree in cello performance at the University of Central Oklahoma under Tess Remy-Schumacher, where she received numerous scholarships, awards, and honors for her school activities, as well as the teaching assistant position in the School of Music. She also studied baroque cello under Meryl Geib.
As an educator, Yasaman is a member of the American String Teachers Association and has given a speech at the 2024 ASTA National Conference in Louisville, Kentucky. She has over seven years of teaching experience and has worked with students of various ages and backgrounds. What distinguishes her teaching from others is her unique knowledge of anatomy and injury prevention, which has always shortened her students' learning curves and helped them build a long-term career.
Yasaman is a researcher and the string specialist on the Muse Muscle research team, which is developing a new method for preventing musicians' injuries. She has presented this method at the 2024 ASTA National Conference, Wake Up and Smell the Rossin, and Miss Ani's Winter Cello Festival. She has also been featured in the Grossman Newsletter. Due to her activities in this domain, Yasaman is a member of the Association for Body Mapping Education (ABME).
During the pandemic, she and her husband ran a live stream about musicians' health and the prevention of performance-related injuries, and they hosted many well-known figures in the domain to raise awareness and inform musicians, particularly the younger generation, about the possibility of these career-ending issues and effective ways to prevent them.